Album Review: Orpheus Omega - Wear Your Sins

26 March 2019 | 10:24 am | Brendan Crabb

"Another strong addition to an Aussie metal scene that's already creaking under the weight of exceptional acts."

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By this point there's little most bands can do to reinvent the melodic death metal wheel. However, if you're Melbourne outfit Orpheus Omega, you persevere in spite of this and crank both the melody and aggression to new heights.

If albums were critiqued solely on the basis of the obvious energy and intensity exhibited therein, this record would win more kudos than most. There are other elements to consider, but it's a big tick in Orpheus Omega's favour on a fourth LP bristling with contrasting vocals, swirling keyboards and intricate guitar work.

Influences are apparent, especially among the sub-genre kingpins from Sweden – think early In Flames, Dark Tranquillity, Soilwork and Scar Symmetry. They do expand their sonic palette a little though, such as with Suffer's almost djent-like flourishes. It's fitting that Niilo Sevänen of Insomnium appears on Lighthouse, as the Finns' proggy, doom-laden take on melo-death is another touchstone. There are other flavours littered throughout, a classic heavy metal vibe and hard rock tendencies (Insinerate) apparent on some tracks. Meanwhile, classy touches like Anna Murphy's (ex-Eluveitie) guest vocals on the atmospheric title track, and a guitar solo by James Norbert Ivanyi on Unblinking add further colour.

On Wear Your Sins, Orpheus Omega prove they're capable of injecting genuine fire into a once cutting-edge field. This is another strong addition to an Aussie metal scene already creaking under the weight of exceptional acts.