Album Review: Moby - Innocents

24 September 2013 | 2:29 pm | Mac McNaughton

All this simply extends his trademark into the realm of over-familiarity; thus Innocents comes off as a greatest hits without any hits.

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Moby's status as a techno pioneer is well deserved, but as Janet Jackson once asked: what have you done for me lately? His 11th release pads the lack of innovation by being a collab-fest cast of thousands rehashing moods already well explored. Results range from Mark Lanegan growling superfluously just like his host (The Lonely Night), Wayne Coyne being typically happy-hippy (The Perfect Life) and Cold Specks' Al Spx who fits techno-blues quite snugly on two tracks. All this simply extends his trademark into the realm of over-familiarity; thus Innocents comes off as a greatest hits without any hits.